Colorful toucan shaped ceramic water pitcher by Japanese maker Quon Quon, circa 1970’s

co1oP

Unique amber glass vintage pitcher, with textured pattern and clear glass handle

Attributed to Italian glass studio Stelvia, a renowned manufacturer of collectible glass from the region of Empol, famous for its colourful blown glassware.

Rare mid-century vintage piece

Mouth diameter 10.2 cm, Base diameter 8.6 cm

D (widest point) 16 cm

Excellent vintage condition, close to no signs of wear

–

This item is part of our vintage collection The Luxe Glass, a curated selection of one-of-a-kind, rare vintage glassware, hand picked for lovers of bold and unique spaces. From designer attributed glass to nature-inspired items and impactful colours, the collection features statement vintage glassware for the ultimate inspiring interiors.

*All our homeware treasures are sent using EXPRESS shipping to our US & Canada customers (customs and duty fees included), shipping typically takes 2-5 working days to reach your home.

Flemish Whites of Utica, New York, circa 1890s salt glaze stoneware pitcher. Features a white tree bark design with raised blue sunflowers and what a appears to be pine branches.

Whites of Utica
Utica, New York State. United States.

Hersteller / Manufacturer

Noah White began making pottery for several local firms in Utica, New York, circa 1834, In 1839 he bought out one of these companies, the Addington Pottery, and began making stoneware with the mark “N. WHITE” with the help of his son Nicholas A. White. Another son, William, joined the pottery in 1843; both were made partners in 1849 when the firm became “N. WHITE AND SONS”. William White sold out in 1856 and moved to Utica, Illinois, and the firm’s mark changed to “N. WHITE AND SON”. The marks “WHITES UTICA” OR “WHITE’S UTICA” were used from the 1850′s to the 1870′s. In 1863 Noah’s grandson William N. White joined the pottery and name changed to Noah White, Son and Company. Two years later Noah died and Nicholas assumed control of the works, changing the name to “N. A. WHITE AND COMPANY”. This name was modified slightly in 1867 to “N. A. WHITE AND SON” when his son became a partner. From 1876 to 1882 the firm’s mark became “WHITES, UTICA, N.Y.” In 1882 Nicholas’s younger son Charles N. White joined the pottery and the mark became “N.A. WHITE AND SON, UTICA, N.Y.” The company used the name “CENTRAL NEW YORK POTTERY” from 1890 to 1899, and then “WHITES POTTERY INC.” until the pottery stopped making stoneware in 1907. Richard Briggs Co. was an appointed vendor.

Dimensions:
6.5” x 5” x 6.5” (Width x Depth x Height)

A lovely antique Simon Peter Gerz Stein / pitcher. Blue and white salt glaze with a monk at the center wrapped within scrolling hops and barley. Text reads: Hopfen und Malz Gott erhalt’s! Hops and malt, may the Lord preserve it. The pitcher has a vivid raised details and a face below the spout.

Dimensions:
4.5” x 3.5” x 6.5” (Width x Depth x Height)

An early Whites Utica Prosit. Stoneware Pitcher with embossed lettering. Text reads: Grinke langsam. Aber viel! Translation grin slowly. but much

Whites of Utica
Utica, New York State. United States.

Hersteller / Manufacturer

Noah White began making pottery for several local firms in Utica, New York, circa 1834, In 1839 he bought out one of these companies, the Addington Pottery, and began making stoneware with the mark “N. WHITE” with the help of his son Nicholas A. White. Another son, William, joined the pottery in 1843; both were made partners in 1849 when the firm became “N. WHITE AND SONS”. William White sold out in 1856 and moved to Utica, Illinois, and the firm’s mark changed to “N. WHITE AND SON”. The marks “WHITES UTICA” OR “WHITE’S UTICA” were used from the 1850′s to the 1870′s. In 1863 Noah’s grandson William N. White joined the pottery and name changed to Noah White, Son and Company. Two years later Noah died and Nicholas assumed control of the works, changing the name to “N. A. WHITE AND COMPANY”. This name was modified slightly in 1867 to “N. A. WHITE AND SON” when his son became a partner. From 1876 to 1882 the firm’s mark became “WHITES, UTICA, N.Y.” In 1882 Nicholas’s younger son Charles N. White joined the pottery and the mark became “N.A. WHITE AND SON, UTICA, N.Y.” The company used the name “CENTRAL NEW YORK POTTERY” from 1890 to 1899, and then “WHITES POTTERY INC.” until the pottery stopped making stoneware in 1907. Richard Briggs Co. was an appointed vendor.

Dimensions:
8.75” x 6.75” x 8.75” (Width x Depth x Height)

An antique White Utica Salt Glaze pitcher with German Hunt Scene. Text reads: Dieses sind Stunden Am zn gesuuden. / Mit dem Liebchen vereient Brim rollem Becher. Translation “Prepare this for your loved one at the rolling search and These are hours to heal”

Whites of Utica
Utica, New York State. United States.

Hersteller / Manufacturer

Noah White began making pottery for several local firms in Utica, New York, circa 1834, In 1839 he bought out one of these companies, the Addington Pottery, and began making stoneware with the mark “N. WHITE” with the help of his son Nicholas A. White. Another son, William, joined the pottery in 1843; both were made partners in 1849 when the firm became “N. WHITE AND SONS”. William White sold out in 1856 and moved to Utica, Illinois, and the firm’s mark changed to “N. WHITE AND SON”. The marks “WHITES UTICA” OR “WHITE’S UTICA” were used from the 1850′s to the 1870′s. In 1863 Noah’s grandson William N. White joined the pottery and name changed to Noah White, Son and Company. Two years later Noah died and Nicholas assumed control of the works, changing the name to “N. A. WHITE AND COMPANY”. This name was modified slightly in 1867 to “N. A. WHITE AND SON” when his son became a partner. From 1876 to 1882 the firm’s mark became “WHITES, UTICA, N.Y.” In 1882 Nicholas’s younger son Charles N. White joined the pottery and the mark became “N.A. WHITE AND SON, UTICA, N.Y.” The company used the name “CENTRAL NEW YORK POTTERY” from 1890 to 1899, and then “WHITES POTTERY INC.” until the pottery stopped making stoneware in 1907. Richard Briggs Co. was an appointed vendor.

DIMENSIONS

9.5” x 8” x 8” (Width x Depth x Height)

Antique German Westerwald stoneware pottery decanter jug, ewer or pitcher. Made of cobalt blue salt glaze stoneware featuring a mythical gryphon / griffon (cross between eagle / lion / elephant) spout, heraldic crest / shield, lion head and fleur de lis.

Westerwald pottery, or Westerwald stoneware, is a distinctive type of salt glazed grey pottery from the Höhr-Grenzhausen and Ransbach-Baumbach area of Westerwaldkreis in Rheinland-Pfalz, Germany. Typically, Westerwald pottery is decorated with cobalt blue painted designs, although some later examples are white. Kannenbackerland.

Incised 27 at base of handle

Dimensions:
13.5” x 11” x 26” (Width x Depth x Height)

Antique German Westerwald stoneware pottery decanter jug, ewer or pitcher. Made of cobalt blue salt glaze stoneware featuring Dionysus / Bacchus, cherubs, a drunk man drinking next to a barrel and a woman dancing with her stein. Marked Germany 887.

Westerwald pottery, or Westerwald stoneware, is a distinctive type of salt glazed grey pottery from the Höhr-Grenzhausen and Ransbach-Baumbach area of Westerwaldkreis in Rheinland-Pfalz, Germany. Typically, Westerwald pottery is decorated with cobalt blue painted designs, although some later examples are white. Kannenbackerland. Gerzit.

Dimensions:
9.5” x 4.5” x 16.5” (Width x Depth x Height)

American popular fine chiba company Lenox pitcher in their fantastic cottage design with gold trim. Creamy buttery smooth pressed China. Fine quality service ware great for afternoon hostessing or family holiday dinners. This pattern is useful for spring or anytime and goes from casual to formal. Great for the important holidays or celebrations in your lufe

This is a vintage studio pottery pitcher. Signed by the artist, the hand-crafted ewer features a russet brown glaze with gray striping